TD’s career changed abruptly in 1931. He became a cartoonist. There are no Derrick cartoons before 1931. He didn’t cease to be an illustrator, but he began to do something new. I am not sure what brought about the change. School fees and family commitments, no doubt, though the former I believe were paid by GC. Perhaps it was his reaction to the newly-urgent Zeitgeist of 1931. His figures, which had been so static in his early work, suddenly sprang to life.
There is a tendency now towards joyfulness, levity. Punch is shown off the ground: leaping with the spring lambs, on horseback slaying the devil, up a ladder picking apples, hovering over the Christmas tree, lighting the street lamp, sleigh-riding down the beam of a searchlight, soaring through the air on skis, jumping over barbed wire, skipping up the steps of an air raid shelter, always with Toby in gleeful train.
In the colour Punch drawing called Interlude the riotous god of the woods, fields and mountains abducts two servile victims of the bureaucratic state, working listlessly at their desks – and returns them refreshed to their duties.
Underneath everything there is a riot. Pan’s sportive spirit has been exiled in the Industrial Age, but lives beneath its surface, and may return to haunt and subvert it.